The largest solo mainland show of works by Ju Ming, arguably Taiwan’s most influential sculptor, is currently running at the National Art Museum of China. On view are 150 larger-than-life pieces of his Living World series, works Ju has produced over the past 30 years in a wide range of media, including wood, stone, ceramics, bronze, sponge, styrofoam and stainless steel.
Constrasts Gallery will exhibit works from six prominent international artists for the 17th edition of Art Taipei, August 20 – 24, 2010. The booth will showcase highlights from their 2010 program with works by Zhang Huan, Wang Dongling, Shao Fan, Wang Tiande and David LaChapelle. As a special feature, Contrasts Gallery will unveil new paintings by Li Tianbing in anticipation of his upcoming solo show Childhood Fantasy with the gallery this September.
World famous sculptor Ju Ming from Taiwan is holding a large-scale solo exhibition at the National Art Museum of China, showing a selection of his Living World Series sculptures that he has created over the past 30 years.
A total of 150 sculptures are on display in four exhibition halls at the museum, revealing the artist’s personal interpretations of the kaleidoscopic human world. The exhibition also provides an insight in part, to the great contemporary sculptor’s lifelong artistic achievements.
Zhang Huan is one of China’s best-known performance and conceptual artists. He is also known for his shocking and absurd photographs and images. For his solo show at the UCCA, Zhang Huan will exhibit remains of the train which crashed during the 5.12 Earthquake in Sichuan and stretch it over the whole Big Hall exhibition space.
“This exhibition is a way of showing the victims of the Sichuan earthquake that they haven’t been forgotten. It’s a curated social project, an artist and an institution working together to help solve a problem.
Contemporary ink painting Utopia No. 57 Many ink painters find it hard to depict contemporary life with their traditional tools of rice paper, black soot–based ink and bamboo-handled brushes. To overcome the obstacle, artists young and old are devoting themselves to innovating the ancient art form, both in subject matter and technique.
There is a gradually growing interest in contemporary ink painting both within China and abroad, with the introduction of modern styles as a unique way to celebrate the old art form while acknowledging an ever-changing society and artistic style, according to independent art critic Liu Siyan.
Art lovers have a rare and limited opportunity to view a scroll considered a seminal work in the history of Chinese painting, Illustration to the Second Prose Poem on the Red cliff Red Cliff. After August 1, the scroll will be taken off view and not available for public viewing for at least five years to protect it from deterioration caused by exposure to even low light levels.
“This remarkable work is almost a thousand years old, and we feel a deep responsibility to preserve it for another millennium,” said Colin Mackenzie, senior curator of Chinese art at the Nelson-Atkins.
Twelve veteran ink painters from across the Taiwan Straits will create a modern version of Dwelling in the Fuchun Mountains, a masterpiece by famed Yuan Dynasty (1206-1368) painter Huang Gongwang (1269-1354).
The endeavor kicked off on June 27 in the hillside village Huang Gongwang in Fuyang, Zhejiang province where Huang created his work 600 years ago.
LONDON.- Tate and Unilever announced that the Chinese artist Ai Weiwei will undertake the eleventh commission in The Unilever Series for the Turbine Hall at Tate Modern (12 October 2010 – 25 April 2011). He will be the first artist living and working in the Asia-Pacific region to be commissioned for the series.
Born in Beijing in 1957, Ai Weiwei is one of the most prominent and influential figures in Chinese art today. In his many roles as conceptual artist, curator, critic, designer and architect, his work encompasses a wide range of challenging and often provocative activity. Ai has played a key role in the development of contemporary Chinese art over the last two decades, from his role in the radical avant-garde ‘Stars Group’ in 1979, to his collaboration with Herzog & de Meuron in designing the national ‘Bird’s Nest’ stadium for the 2008 Beijing Olympics.
After living in the United States from 1981 to 1993, Ai returned to his native Beijing and created the seminal work Dropping a Han Dynasty Urn 1995. This photo-triptych depicted the artist dropping an ancient ceramic vase, which smashed on the floor at his feet. This work not only began the artist’s continuing reuse of antique readymade objects, it also demonstrated his questioning attitude towards cultural values and social history. For Fairytale 2007 Ai invited 1001 Chinese citizens to ‘colonise’ Kassel in Germany for the Documenta 12 exhibition and distributed 1001 Qing and Ming Dynasty chairs in venues across the city. For Template 2007 he used more ancient readymades, in the form of 1001 wooden doors and windows from destroyed Chinese buildings. These were installed as a huge sculpture that collapsed in a storm soon after completion, creating a twisted, crumpled structure that the artist chose to preserve.
HONG KONG.- Sotheby’s Hong Kong will hold the Fine Chinese Paintings 2010 Spring Sale on 6 April at the Hong Kong Convention and Exhibition Centre. Building on the success of the thematic collections offered in previous seasons, Sotheby’s will again present distinguished private collections that boast immaculate provenance and quality this spring. The collections presented include: ‘Exquisite Paintings and Calligraphy from Studio Ling Ou’, ‘A Collection of Calligraphy Couplets of Eminent Statesmen in the Late Qing Period’ and ‘Calligraphy Works from Prominent Figures of Wang Jingwei’s “Puppet Government”’. On the same day, Sotheby’s will also hold the sale of ‘Important Chinese Paintings from the Robert Chang Collection (Part 3)’. The total of over 260 lots in both sales is expected to fetch in excess of HK$200 million*.
NEW YORK, NY.- Eli Klein Fine Art presents Zhang Gong’s first solo exhibition in the United States. Zhang Gong’s work parodies instantly recognizable Western art, demonstrating the effect of Western popular culture on contemporary Chinese society.
In his most recent works, Zhang Gong incorporates cartoon characters with scenes from modernist Western paintings and other popular images. These juxtapositions simultaneously satirize and question ideas about what constitutes high art and originality. His own unique creation, Miss Panda, interacts with the Western characters in chaotic scenes. Miss Panda often finds her way into famous Western paintings, reminding the viewer that Western art, once banned, has now been assimilated into the collective consciousness of modern Chinese society. Through his works, Zhang Gong brings historic and contemporary art into dialogue with one another.
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