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Sackler Gallery Presents Contemporary Chinese Artist Hai Bo 0

Posted on March 28, 2010 by admin
 
WASHINGTON, DC.- Five large-scale photographs by the Chinese artist Hai Bo will be on view March 27 through Nov. 28 at the Smithsonian’s Arthur M. Sackler Gallery. The photographs are the latest installment in the Sackler’s contemporary series, “Perspectives,” which focuses on the work of leading contemporary artists from Asia and the Asian diaspora and bridges the gap between the traditional, often separate, roles played by Asian art museums and modern art galleries.Born in 1962 in Changchun, the capital of Jilin Province in northeastern China, Hai Bo has been returning to his hometown for decades to photograph the familiar places of his youth. As China’s cities grow exponentially, the artist looks poignantly at another aspect of large-scale urbanization: the increasingly desolate and aging villages of rural China. The photographs convey a sense of nostalgia for the beauty and vastness of the Chinese landscape.

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Sotheby’s Sets Record for Classical Chinese Painting Sold in the US 0

Posted on March 24, 2010 by admin

NEW YORK, NY.- This morning at Sotheby’s a record was set for a Classical Chinese painting sold in the US when Bada Shanren’s Two Mynas on a Rock from 1692 sold for $2,994,500 – many multiples of the $400/600,000 estimate, at the Fine Chinese Ceramics and Works of Art auction. Henry Howard-Sneyd, Vice Chairman, Asian Art at Sotheby’s said: “The price of nearly $3 million is a reflection of the compelling beauty of Bada Shanren’s Two Mynas on a Rock. We are thrilled to have set a record for a Classical Chinese painting sold in the US for this masterful depiction of two birds that has not appeared on the market for over 25 years. The stunning success of this and other paintings sold this morning again demonstrates the appetite for fresh to the market works priced conservatively.” Two Mynas on a Rock led the largest and most important selection of Classical Chinese painting offered at Sotheby’s New York for many years. Several of these paintings achieved superb prices including, Scholar by Zhang Daqian, which has not been offered at auction for over 50 years which sold for $902,500 (est. $120/180,000) and an Album Of Figures And Accompanying Calligraphy by Zhang Daqian (Chang Dai-Chien, 1899-1983) And Pu Ru (1896-1963) which sold for over 10 times the high estimate when it fetched $662,500 (est. $40/60,000). A new record for Chinese calligraphy sold in the US was also set when Calligraphy in Xing Shu (Running Script) After Zhong Yao’s “Zhang Le Tie” also by Bada Shanren sold for $482,500 (est. $100/150,000). After the first session the auction had brought $9,636,813, already exceeding the pre-sale high estimate by nearly $2 million.

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Western and Asian Contemporray Art to Be Offered by Seoul Auction. 0

Posted on March 20, 2010 by admin

HONG KONG.- Seoul Auction, Korea‟s leading auction house, will offer an unrivalled selection of 80 works in its Modern and Contemporary Art Spring Sale in Hong Kong on 4 April 2010 at the Grand Hyatt Hong Kong. Expected to realize in excess of HK$60 million (US$8 million), the sale features works by leading Western and Asian masters, as well as up and coming artists from Korea, Japan, China and Indonesia, reflecting the dynamic vibrancy of contemporary Asian art.

Mr Jun Lee, CEO of Seoul Auction, said: “In our debut sale in Hong Kong in October 2008, Seoul Auction played a pioneering role when we offered significant Western masterpieces, as well as Asian artworks, at auction for the first time. In view of the appetite of discerning Asian collectors with sophisticated tastes, our strategy has been to introduce a wider variety of artworks by internationally renowned artists to the Asian marketplace. In our October 2009 sale, The Importance of Elsewhere –The Kingdom of Heaven from the renowned British artist Damien Hirst‟s celebrated Butterfly Series achieved HK$17,222,000 (US$2,236,623), establishing a record as the most expensive work by Damien Hirst ever sold at auction in Asia. In the same auction, we also brought to the Asian auction market for the first time a remarkable work Untitled by the UK-based Indian sculptor Anish Kapoor which realized HK$6,508,000 (US$845,195).

“We are witnessing a growing interest and a greater level of appreciation of Western contemporary art among Asian collectors. Seoul Auction is proud to have a long history of over 10 years of selling Western art in Asia, and to have been the first auction house to bring Western contemporary art to Hong Kong. We are delighted to provide a platform and introduce a wider range of both Western and Asian art to Chinese connoisseurs.

“This Spring also marked a new milestone in the history of Seoul Auction as we held our first auction preview of our Hong Kong Sale in Beijing in March, in addition to our customary sale previews in Seoul and Taipei. We have seen a rapidly increasing interest in Western contemporary art within the past couple of years amongst collectors in Mainland China, and we believe that China is a highly significant market with vast potential for this collecting category.”

Chinese Art
Leading the Chinese section is Girl and Peaches by Wang Yidong (born 1955), a significant figure in the history of modern Chinese realist painting (Estimate: HK$3,100,000-3,800,000/US$400,000-500,000). This is the first time that this masterpiece by Wang has been offered in the auction market. Wang Yidong‟s subject matter mainly derives from the village culture of the Yi-meng mountain region in his native Shandong province. Since the 1980s, Wang Yidong has sought to capture the life and customs of the region, reflecting the artist‟s pursuit of purity and timelessness through his dedicated portrayal of simple yet venerable human characters and their rituals. Girl and Peaches is a perfect example demonstrating Wang‟s mastery of composition, portrayal of light and his superb command of painting technique and capturing of details. The peaches on the table symbolize the girl‟s deliberation about marriage, which is a common theme employed by Wang. The slip of paper placed next to the peaches may very well be an amorous note from the young girl‟s beloved.

Also making its first appearance at auction is an important wooden sculpture from Zhu Ming‟s (b. 1938) Taichi Series (Estimate: HK$1,300,000-1,600,000/ US$170,000-210,000). Zhu Ming is renowned as Asia‟s most pre-eminent living sculptor, having forged a signature style that is recognized throughout the art world. He is best known for his iconic Taichi Series, powerful and often monumental figures in both wood and bronze, which were inspired by the ancient martial art of tai chi chuan and which celebrate both the physical and spiritual aspects of this age-old Asian practice. His timeless, universal Taichi sculptures are characterized by a sense of balance, control and gracefulness.

Another prized offering in the sale is Mask Series no.21 3-1 by Zeng Fanzhi (born 1964) who is recognized as one of the most iconic and expressive painters of the contemporary Chinese avant-garde art movement (Estimate: HK$1,100,000-1,300,000/US$140,000-170,000). In 1993, Zeng moved from his native Wuhan to Beijing and in 1994 embarked on his famous “Mask” series which expressed both his personal inner feelings of loneliness and isolation in a new big city, and the alienation of the individual in Chinese society in general. In this series of paintings, Zeng used expert line and brushwork to depict smartly dressed figures wearing white masks with blank expressions. He wished to express his feeling that in Beijing in the 1990s, people were starting to wear suits and ties, effecting an outward change into new social roles, but one which was artificial. Thrown into this new modern environment, individuals suffered feelings of social isolation and could not connect with each other. The mask is emblematic of the barrier between them. The number of people in the paintings is reduced to a small group, or a solitary person.

Other highlights include works by young emerging artists, including Happy Face by Gao Yu (Estimate: HK$150,000-180,000/US$20,000-24,000) and A Smooth Run by Chen Ke (Estimate: HK$300,000-400,000/ US$39,000-52,000).

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Sotheby’s Hong Kong to Hold 20th Century Chinese Art Spring Sale 0

Posted on March 18, 2010 by admin

HONG KONG.- Sotheby’s Hong Kong 20th Century Chinese Art Spring Sale 2010 will be held on 5 April, offering a meticulous selection of more than 65 lots estimated at approximately HK$75 million. Many of the paintings are exceptionally rare, appearing for the first time on the art market.

Lily Lee, Head of Sotheby’s 20th Century Chinese Art Department, said: “The 20th Century Chinese Art Autumn Sale 2009 has garnered impressive results with the record-breaking sale of Lotus et Poissons Rouges (Lotus and Red Fish), a landscape painting by Sanyu, achieving the second highest auction price for a Sanyu painting, and an auction record for a landscape painting by the artist. Zao Wou-ki’s 7.4.61 sold for almost twice its estimated price at HK$15.78 million.

Following last season’s success, our spring auction will bring together the outstanding works of Zao Wou-ki from the “Paul Klee Period” of his career in Paris during the 1950s as well as those created during his “oracle-bone inscriptions period” and in the 1970s. Several of these paintings have never been auctioned before, including a large-scale painting 10-3-78 as well as Village de Montagne se Disperent, a work that has been unseen in public for nearly half a century.”

Exceptional Works by Zao Wou-ki (1950s – 1970s)
A pioneer of Chinese abstract paintings, Zao Wou-ki (Zhao Wuji, b.1921) started out in expressionist figurative paintings, followed by a transition from painting symbolic images to expressionist abstract oils.

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Whispering Through Censored Lips 0

Posted on January 22, 2010 by admin

In 2003 I moved to Beijing, around the same time that Chinese artists began moving to the Dashanzi Art District in Beijing, also known as the 798 Art Zone. Having been frowned upon by the government, here these artists could get inspired, create and expose. A former military factory, the 798 is cathedral-like with swooping arcs, soaring chimneys and Maoist slogans left intact. It has a strong post-industrial taste to it.

At that time the 798 was not a place for tourism. Going there was an overwhelming experience; artists would let you in their private studios, show you their works and ask you how it is “out there”, in the West, the home of freedom. It is this very freedom we have in our society which makes our art so different from Chinese avant-garde.

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169 Million Wu Bin “18 arhats” Broke the Chinese Painting Record 0

Posted on November 24, 2009 by admin

On the dawn of Nov.23, Wu Bin’s “18 arhats” fetched 169 million on the sale of Ullens’ Chinese calligraphy and painting collection in Poly autumn auction. It is a new record for Chinese painting and individual artworks.

Chinese ancient paintings keeping breaking the record reflects their real values and strong purchase power of vibrant market.



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