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Noted Dutch Photographer Exhibition at 798 0

Posted on August 12, 2010 by admin

Galerie Paris-Beijing in 798 Art District is currently hosting an exhibition of works by celebrated Dutch photographer Erwin Olaf.

The large selection includes his photography series “Rain,” “Hope,” “Grief,” Hotel” and “Laboral Escena, Spain,” and demonstrates people’s emotional world, mostly focusing on the feeling of loneliness.

Well known for his usage of studio lighting, Olaf created the pictures with bright colors and vivid details. All the models look cold and distant, and even when multiple people are in one photo, there is little eye contact between them.

Olaf, who was born in 1959, has lived and worked in Amsterdam since the early 1980s. A pioneer in staged photography, Olaf appeared on the international art scene in 1988 when his series “Chessmen” was awarded first place in the Young European Photographer competition.

The exhibition will run until Sept. 24.

Wu Guanzhong, Master of Chinese Painting, Dies Aged 91 0

Posted on July 07, 2010 by admin

Wu Guanzhong, the father of modern Chinese art, died late on Friday in Beijing Hospital, aged 91.

Born in 1919, Wu was a native of Yixing in east China’s Jiangsu Province.

In 1947, he went to France to study Western painting and returned to China in 1950. He taught at the China Central Academy of Fine Arts and Tsinghua University.

Wu integrated the Chinese ink and wash technique with Western painting methods. He is now widely regarded at home and abroad as the father of modern Chinese painting.

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Recreating A Masterpiece 0

Posted on July 05, 2010 by admin

Twelve veteran ink painters from across the Taiwan Straits will create a modern version of Dwelling in the Fuchun Mountains, a masterpiece by famed Yuan Dynasty (1206-1368) painter Huang Gongwang (1269-1354).

The endeavor kicked off on June 27 in the hillside village Huang Gongwang in Fuyang, Zhejiang province where Huang created his work 600 years ago.

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Art 41 Basel: More than 62,500 Visitors, Extraordinary Quality, Strong Results. 0

Posted on June 23, 2010 by admin

BASEL.- The 41st edition of art basel closed on Sunday, June 20, 2010. This year, the annual reunion of the international artworld attracted more than 62,500 artists, collectors, curators, and art lovers from around the globe, a new record for attendance at the show. The participating galleries, art lovers, and media were unanimous in pronouncing this a superb year for the show in terms of quality. Collectors rewarded the excellent material and booth presentations with strong sales throughout the week.

A great many artists attended the event, among them Doug Aitken, Kader Attia, Carol Bove, Christo, Yona Friedman, Douglas Gordon, Rodney Graham, Susan Hiller, Joseph Kosuth, Paul McCarthy, Richard Phillips, Michelangelo Pistoletto, Ugo Rondinone, and Lawrence Weiner. And over 60 museum groups, representing almost all the worlds major museums visited Art 41 Basel, significantly more than last year, as did major private collectors from North and South America, all of Europe and the emerging markets of the artworld.

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Christie’s Asian Contemporary and 20th Century Art Sales Total $67.2 Million 0

Posted on June 03, 2010 by admin

HONG KONG.- The Christie’s Hong Kong completed its Day and Evening Sales of Asian Contemporary Art and Chinese 20th Century Art on May 30th, 2010. Together with the ground-breaking 100% sell-through Evening Sale that totalled HK$303 million/US$39 million, the combined total of the Day and Evening Sales recorded a total of HK$523.4 million / US$67.2 million, an increase of 85% from Spring 2009 that nearly doubled our nearest international competitor.

Eric Chang, Christie’s International Director of Asia Contemporary Art and Chinese 20th Century Art, commented, “The momentum of the 100% sell-through Evening Sale the night before carried us into the highly successful Day Sales that began in the early afternoon and lasted late into the night. Together with the Evening Sale total of HK$303 million/US$39 million, the combined total of HK$523.4 million / US$67.2 million marks a 85% over our Spring 2009 results and doubling that of our nearest international competitor.

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Open to Interpretation: Chinart from 2000-2009 0

Posted on May 14, 2010 by admin

A mammoth new exhibition of 291 Chinese artists, Reshaping History, currently on display at three venues across Beijing, is hoping to cast a light on the growth and maturity of the entire nation, as the exhibition’s subtitle, “Chinart from 2000 to 2009,” indicates.

Often we look to art to illuminate something deeply personal, something lurking under the surface of artists’ imaginations that reflects their view of themselves, their surroundings and the world at large. Art too can serve as a proxy for far larger, more expansive arenas: a community, a people, a race.

Indeed, if there is one buzzword that encapsulates the Chinese experience over the past 10 years, it is “growth,” a concept toward which the artistic luminaries of Reshaping History have no shortage of opinions.

“Like every aspect of the Chinese economy, Chinese art is developing immensely,” said exhibition founder Lü Peng. “So much talent has emerged over the past 10 years, so many contrasting styles and worldviews and I really wanted a venue where we could put them all next to each other and let the viewer take it all in.

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Museums gear up for Shanghai World Expo. 0

Posted on May 04, 2010 by admin

SHANGHAI. As preparations for the World Expo in Shanghai (1 May-31 October) reach fever pitch, several new museums and cultural spaces are opening in readiness to welcome some of the 100 million visitors, which officials estimate will attend. Foreign journalists in Shanghai have estimated the total costs of the expo at around $45bn, not including off-site developments.

Leading the swathe of new cultural attractions is the Rockbund Art Museum, housed in a converted 1932 art deco building on Shanghai’s historic riverfront, restored and with interior design by British architect David Chipperfield. The building was previously home to the Royal Asiatic Society, and is next to the former site of the Shanghai British Consulate.

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Zhao Bo’s Second Solo Exhibition in New York at Eli Klein Fine Art 0

Posted on March 23, 2010 by admin

NEW YORK, NY.- Eli Klein Fine Art presents Zhao Bo’s second solo exhibition in New York, his first at the Gallery. Through his paintings, Zhao Bo records the monumental cultural and political shifts in China, shown from the perspective of Chinese people. China’s opening to the West in the late 1980s ushered in a new era and these paintings provide a snapshot into this unique period. He clashes Communist and contemporary icons together in the same scene, revealing that Chinese society is more interested in adapting to contemporary culture than adhering to staid traditionalism.

Mocking the social realist propaganda of Communist China, Zhao Bo replaces the ideal Chinese worker or citizen with an ostentatious cartoon. The bright colors and enthusiastic poses express the vitality and exuberance of this new Chinese generation. Rather than revering Chairman Mao and principles of Communism, these wide-eyed figures revel in the glow of billboards and luxury goods. Yet, their placement in front of important Communist markers, such as Mao’s tomb or signs proclaiming, “Long live the people,” is a constant reminder of the government’s presence.

Zhao Bo received his Bachelor of Fine Arts from Sichuan Academy of Fine Arts in Chongqing, China. His works have been exhibited in museums in China and the United States including the Denver Art Museum, the Museum of Fine Arts, Houston, the Art Museum of Shanghai, the He Xiangning Art Museum in Shenzhen, and the Art Museum of Chongqing.

The exhibition will be on view at Eli Klein Fine Art through April 22, 2010

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Western and Asian Contemporray Art to Be Offered by Seoul Auction. 0

Posted on March 20, 2010 by admin

HONG KONG.- Seoul Auction, Korea‟s leading auction house, will offer an unrivalled selection of 80 works in its Modern and Contemporary Art Spring Sale in Hong Kong on 4 April 2010 at the Grand Hyatt Hong Kong. Expected to realize in excess of HK$60 million (US$8 million), the sale features works by leading Western and Asian masters, as well as up and coming artists from Korea, Japan, China and Indonesia, reflecting the dynamic vibrancy of contemporary Asian art.

Mr Jun Lee, CEO of Seoul Auction, said: “In our debut sale in Hong Kong in October 2008, Seoul Auction played a pioneering role when we offered significant Western masterpieces, as well as Asian artworks, at auction for the first time. In view of the appetite of discerning Asian collectors with sophisticated tastes, our strategy has been to introduce a wider variety of artworks by internationally renowned artists to the Asian marketplace. In our October 2009 sale, The Importance of Elsewhere –The Kingdom of Heaven from the renowned British artist Damien Hirst‟s celebrated Butterfly Series achieved HK$17,222,000 (US$2,236,623), establishing a record as the most expensive work by Damien Hirst ever sold at auction in Asia. In the same auction, we also brought to the Asian auction market for the first time a remarkable work Untitled by the UK-based Indian sculptor Anish Kapoor which realized HK$6,508,000 (US$845,195).

“We are witnessing a growing interest and a greater level of appreciation of Western contemporary art among Asian collectors. Seoul Auction is proud to have a long history of over 10 years of selling Western art in Asia, and to have been the first auction house to bring Western contemporary art to Hong Kong. We are delighted to provide a platform and introduce a wider range of both Western and Asian art to Chinese connoisseurs.

“This Spring also marked a new milestone in the history of Seoul Auction as we held our first auction preview of our Hong Kong Sale in Beijing in March, in addition to our customary sale previews in Seoul and Taipei. We have seen a rapidly increasing interest in Western contemporary art within the past couple of years amongst collectors in Mainland China, and we believe that China is a highly significant market with vast potential for this collecting category.”

Chinese Art
Leading the Chinese section is Girl and Peaches by Wang Yidong (born 1955), a significant figure in the history of modern Chinese realist painting (Estimate: HK$3,100,000-3,800,000/US$400,000-500,000). This is the first time that this masterpiece by Wang has been offered in the auction market. Wang Yidong‟s subject matter mainly derives from the village culture of the Yi-meng mountain region in his native Shandong province. Since the 1980s, Wang Yidong has sought to capture the life and customs of the region, reflecting the artist‟s pursuit of purity and timelessness through his dedicated portrayal of simple yet venerable human characters and their rituals. Girl and Peaches is a perfect example demonstrating Wang‟s mastery of composition, portrayal of light and his superb command of painting technique and capturing of details. The peaches on the table symbolize the girl‟s deliberation about marriage, which is a common theme employed by Wang. The slip of paper placed next to the peaches may very well be an amorous note from the young girl‟s beloved.

Also making its first appearance at auction is an important wooden sculpture from Zhu Ming‟s (b. 1938) Taichi Series (Estimate: HK$1,300,000-1,600,000/ US$170,000-210,000). Zhu Ming is renowned as Asia‟s most pre-eminent living sculptor, having forged a signature style that is recognized throughout the art world. He is best known for his iconic Taichi Series, powerful and often monumental figures in both wood and bronze, which were inspired by the ancient martial art of tai chi chuan and which celebrate both the physical and spiritual aspects of this age-old Asian practice. His timeless, universal Taichi sculptures are characterized by a sense of balance, control and gracefulness.

Another prized offering in the sale is Mask Series no.21 3-1 by Zeng Fanzhi (born 1964) who is recognized as one of the most iconic and expressive painters of the contemporary Chinese avant-garde art movement (Estimate: HK$1,100,000-1,300,000/US$140,000-170,000). In 1993, Zeng moved from his native Wuhan to Beijing and in 1994 embarked on his famous “Mask” series which expressed both his personal inner feelings of loneliness and isolation in a new big city, and the alienation of the individual in Chinese society in general. In this series of paintings, Zeng used expert line and brushwork to depict smartly dressed figures wearing white masks with blank expressions. He wished to express his feeling that in Beijing in the 1990s, people were starting to wear suits and ties, effecting an outward change into new social roles, but one which was artificial. Thrown into this new modern environment, individuals suffered feelings of social isolation and could not connect with each other. The mask is emblematic of the barrier between them. The number of people in the paintings is reduced to a small group, or a solitary person.

Other highlights include works by young emerging artists, including Happy Face by Gao Yu (Estimate: HK$150,000-180,000/US$20,000-24,000) and A Smooth Run by Chen Ke (Estimate: HK$300,000-400,000/ US$39,000-52,000).

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Sotheby’s Hong Kong to Hold 20th Century Chinese Art Spring Sale 0

Posted on March 18, 2010 by admin

HONG KONG.- Sotheby’s Hong Kong 20th Century Chinese Art Spring Sale 2010 will be held on 5 April, offering a meticulous selection of more than 65 lots estimated at approximately HK$75 million. Many of the paintings are exceptionally rare, appearing for the first time on the art market.

Lily Lee, Head of Sotheby’s 20th Century Chinese Art Department, said: “The 20th Century Chinese Art Autumn Sale 2009 has garnered impressive results with the record-breaking sale of Lotus et Poissons Rouges (Lotus and Red Fish), a landscape painting by Sanyu, achieving the second highest auction price for a Sanyu painting, and an auction record for a landscape painting by the artist. Zao Wou-ki’s 7.4.61 sold for almost twice its estimated price at HK$15.78 million.

Following last season’s success, our spring auction will bring together the outstanding works of Zao Wou-ki from the “Paul Klee Period” of his career in Paris during the 1950s as well as those created during his “oracle-bone inscriptions period” and in the 1970s. Several of these paintings have never been auctioned before, including a large-scale painting 10-3-78 as well as Village de Montagne se Disperent, a work that has been unseen in public for nearly half a century.”

Exceptional Works by Zao Wou-ki (1950s – 1970s)
A pioneer of Chinese abstract paintings, Zao Wou-ki (Zhao Wuji, b.1921) started out in expressionist figurative paintings, followed by a transition from painting symbolic images to expressionist abstract oils.

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